Laura Taylor Namey is a woman on a mission. This dog loving, piano playing, former teacher is a mother of two and full time writer. She aspires to live in London someday, but right now is truly living the dream (and working her a** off) as the debut author of the brand new young adult novel, The Library of Lost Things (Inkyard Press, October 2019). Here’s a description of the novel from Goodreads:
From the moment she first learned to read, literary genius Darcy Wells has spent most of her time living in the worlds of her books. There, she can avoid the crushing reality of her mother’s hoarding and pretend her life is simply ordinary. But when a new property manager becomes more active in the upkeep of their apartment complex, the only home Darcy has ever known outside of her books suddenly hangs in the balance.
While Darcy is struggling to survive beneath the weight of her mother’s compulsive shopping, Asher Fleet, a former teen pilot with an unexpectedly shattered future, walks into the bookstore where she works…and straight into her heart. For the first time in her life, Darcy can’t seem to find the right words. Fairy tales are one thing, but real love makes her want to hide inside her carefully constructed ink-and-paper bomb shelter.
Still, after spending her whole life keeping people out, something about Asher makes Darcy want to open up. But securing her own happily-ever-after will mean she’ll need to stop hiding and start living her own truth—even if it’s messy.
I had the pleasure of doing an email interview with my lovely friend whom I had the pleasure of meeting several years ago at a Society for Children’s Book Authors and Illustrators annual conference. Read on to learn about her writing journey and why she loves #pitchwars and her critique partners (not necessarily in that order).
EZ: At what point in your life did you know you wanted to write for children and young adults? And when did you know you were a writer?
LTN: I have always felt like a natural writer, even if I didn’t have the logistics figured out until a few years ago. I am a former teacher, and I found myself using a lot of literature in my classroom lessons. I began to long for the chance to write my own stories. About five years ago, I started writing a young adult novel (this one will forever live in a drawer). I’d had no formal training, but I used that work to find out what I really did need to work on more. I got help, read a ton, and decided that I wanted to focus on the young adult age group. I love the emphasis on coming-of-age themes, high-concept storytelling, and exploring complex and relevant topics.
EZ: What has been the best part of transitioning from a pre-published to a published author?
LTN: I have such admiration and respect for career authors, and creators who consistently come up with beautiful and compelling content. Being able to take my small place beside them, with the word Published next to my name, is an incredible experience.
EZ: How do you fit writing into the rest of your life (and fit the rest of your life into your writing)?
LTN: I am blessed to have a supportive family, and the opportunity to write full time right now. I work best in the morning, so having a new teen driver in my home has helped to free up some of my time to build up my word count before lunch time. I take breaks to take care of my home and family, and to squeeze in a workout. Admittedly, I don’t watch a lot of TV. I am usually writing, or reading during down time.
EZ: What are your favorite kinds of books to read, and how do they inspire your writing?
LTN: I love books that stick with me long after I’ve finished them. I enjoy a wide variety of authors, age groups, and genres. Make me care, feel, and want to chat about your book all day and that’s my idea of a winner. I believe all writers need to actively read other writers. I am most inspired by other authors in the areas of scope and opportunity. There are so many ways to attack and deconstruct even the same topic in drastically different ways with differing points of view. Reading more only confirms my belief that so many possibilities lay in front of our pens.
EZ: Can you describe your experience with #pitchwars on Twitter?
LTN: I was a 2017 #pitchwars unofficial mentee. Besides working with a fantastic mentor who became the first person to work on THE LIBRARY OF LOST THINGS, #pitchwars brought me into a supportive community of writers. This is the real prize in any online contest. Put your work out there. Meet fellow writers. Team up and share and hone your craft together, and know that you are not alone in your struggles and hopes.
EZ: You are a big fan of your critique partners. How did you meet them, and what makes your partnership work? What advice do you have for other writers who want to work with critique partners or groups?
LTN: I have two fantastic critique partners that work with me almost every day. We met because we were all 2017 #pitchwars unofficial mentees. We began chatting privately on Twitter DM, and became lifelong friends through sharing our work and supporting one another. What sets our group apart is that we don’t wait until we finish a novel to edit or weigh in. We are always working together on our three individual manuscripts. We plan together from idea-up, talk through issues, name towns or characters, and share snippets of our writing as we go. When I get stuck, I can ask a question directly from the point of concern. My partners already have such a deep knowledge of my manuscript, plot and theme, and character arcs, that they can weigh in quickly. And I do the same for their work.
For those who would like to join or form a group like this, hang out on private writer’s boards or the community groups associated with social media programs, such as #pitchwars. Put yourself out there. It might take some time, but you will find your people. It’s okay if you try out a CP and that person isn’t quite right for you. Keep sharing and investing in others.
How will you know if you are collaborating with the best people for you? Your perfect CPs will be similar enough to you and your work that they share a taste level and basic skill level. But they should be different enough that they can expand your scope and contribute to your growth. A good CP walks beside you, while also possessing the tools to push you. My CPs and I are the best of friends, but when it’s time to work, we give tough feedback with love.
EZ: What are you currently working on? And where do you see yourself in five years?
LTN: Right now I am almost finished with the draft of a secret junior novel. I’m hanging out in the young adult contemporary world for a while, and hope to have a few books side-by-side on shelves in five years.
To learn more about Laura Taylor Namey and The Library of Lost Things, visit her website. You can also find her on Twitter and on Instagram. Stay tuned for Namey’s sophomore novel, A Cuban Girl’s Guide to Sweaters and Stars (Simon & Schuster, Fall ’20) and future titles as well!
The Art of Breaking Things (Viking Books for Young Readers, June 2019) by debut author Laura Sibson tells the story of 17-year-old Skye, an artist set to leave her small town and attend art school once she figures out how to survive senior year and confront the trauma she experienced several years earlier. Here’s a brief description of the novel from Sibson’s website:
Weekends are for partying with friends while trying to survive the mindnumbingness that is high school. The countdown to graduation is on, and Skye has her sights set on escaping to art school and not looking back.
But her party-first-ask-questions-later lifestyle starts to crumble when her mom rekindles her romance with the man who betrayed Skye’s trust and boundaries when he was supposed to be protecting her. She was too young to understand what was happening at the time, but now she doesn’t know whether to run as far away from him as possible or give up her dreams to save her little sister. The only problem is that no one knows what he did to her. How can she reveal the secret she’s guarded for so long?
With the help of her best friend and the only boy she’s ever trusted, Skye might just find the courage she needs to let her art speak for her when she’s out of words. After years of hiding her past, she must become her own best ally.
When I heard about J.B. Howard’s debut novel, When I Was Summer (Viking Books for Young Readers, April 30, 2019) and saw the absolutely gorgeous book cover, I began counting the days until it would be in my hands. Intrigued by the promise of music and mystery (maybe some mating too?!), I pre-ordered the novel and anxiously await its arrival. If it turns out to be anything at all like its author–because what work of fiction doesn’t include at least part of the soul from which it comes–I can’t imagine it’ll be anything less than awesome.
Here’s a description of When I Was Summer from the publisher:
A relatable novel about unrequited love, rock ‘n’ roll, and what you find when you go searching for yourself.
Sixteen-year-old Nora Wakelin has always felt like an outsider in her own family. Her parents and older sister love her, but they don’t understand anything about her: not her passion for music, not her all-encompassing crush on her bandmate Daniel (who is very much unavailable), not her recklessness and impulsiveness. Nora has always imagined that her biological mother might somehow provide the answer as to why she feels like such an outsider.
Grief. It’s universal, but something that each of us experiences in our own way. And while there’s no real antidote for managing the pain of losing someone or something we love, books that tackle the topic with heart, authenticity and gorgeous writing can help us feel heard and understood. And maybe even make life feel a bit more bearable if not beautiful.
Following her raw and riveting debut (and bestselling) novel, Girl in Pieces, Kathleen Glasgow delivers on all counts with her young adult novel, How to Make Friends With the Dark (Delacorte Press, April 2019).
If you’re looking for a new young adult book title to add to your TBR list, Our Year of Maybe (Simon Pulse, January 15, 2019) by Rachel Lynn Solomon may be a great addition. Already earning a starred review from School Library Journal, Our Year of Maybe examines the complicated aftermath of a kidney transplant between best friends.
Here’s a description of the book from Solomon’s website:
Aspiring choreographer Sophie Orenstein would do anything for Peter Rosenthal-Porter, who’s been on the kidney transplant list as long as she’s known him. Peter, a gifted pianist, is everything to Sophie: best friend, musical collaborator, secret crush. When she learns she’s a match, donating a kidney is an easy, obvious choice. She can’t help wondering if after the transplant, he’ll love her back the way she’s always wanted. read more…
When I heard that my all-time favorite Broadway musical*, Dear Evan Hansen, was going to be made into a young adult novel, my heart swelled. Not only do I love reading YA books, but I’m working on two of my own as I pursue an MFA in Writing for Children and Young Adults at Vermont College of Fine Arts. I was excited for us DEH fans to have a different way to enjoy the overwhelming and satisfying experience that is Dear Evan Hansen. But mostly, I was excited for this novel way (see what I did?!) to share the story with teens and adults who may not get to see the show in person. The book (along with the soundtrack) are truly excellent surrogates that can be enjoyed again and again.
Despite the daunting task of turning a brilliant Tony- and Grammy award-winning musical into a YA book, Val Emmich—with book writer extraordinaire, Steven Levenson, and the dynamic, Oscar-winning duo, Benj Pasek and Justin Paul—did it. The book is wonderful. It’s moving. It touches your heart. I was admittedly very nervous to read it, because how could it measure up to the Broadway musical? But any fears I had about the novel not being able to capture the magic of the stage production disappeared in an instant. Like the show, the novel made me laugh and cry. And, like the show, it’s one I will be sure to visit again.
After fan-girling over Emmich, Levinson, Pasek and Paul at both BookCon last spring and at the Dear Evan Hansen: the Novel book launch this month (see photos below), I had the pleasure of doing an email Q & A with the multi-talented Emmich.
Besides fanning over Pasek & Paul, Steven Levenson and Val Emmich, we spoke about respective writing journeys. A radiologist by day, and writer whenever she can fit it into her busy family life, Frimmer could not be more excited for the birth of her debut novel, Bedside Manners (SparkPress, October 2018). Here’s a description:
As Joyce Novak’s daughter, Marnie, completes medical school and looks ahead to a surgical internship, her wedding, and a future filled with promise, a breast cancer diagnosis throws Joyce’s own future into doubt. Always the caregiver, Joyce feels uncomfortable in the patient role, especially with her husband and daughter. As she progresses through a daunting treatment regimen including a biopsy, lumpectomy, and radiation, she distracts herself by planning Marnie’s wedding.
When the sudden death of a young heroin addict in Marnie’s care forces Marnie to come face-to-face with mortality and her professional inadequacies, she also realizes she must strike a new balance between her identity as a doctor and her role as a supportive daughter. At the same time, she struggles with the stark differences between her fiancé’s family background and her own and comes to understand the importance of being with someone who shares her values and experiences.
Amid this profound soul-searching, both Joyce and Marnie’s futures change in ways they never would have expected.
Here’s a Q & A with Frimmer about her book and writing life:
How does it feel to be a debut novelist and published author?
It’s exhilarating and exciting, but at the same time I still can’t believe it’s happening. The fact that people I don’t know are holding my book in their hands and reading my words is hard to believe and a bit scary. I am proud of my accomplishment and completely hooked on writing fiction. Also, the community of women’s fiction authors and book bloggers has been so welcoming and supportive. With social media, I feel the love for my book even while sitting at home at my writing desk.
When did you first have an inkling to write a book? And was this book the result of that first spark/idea?
To exercise the right side of my brain, I signed up for an introductory writing class at Westport Writers’ Workshop. On the last day of class, my instructor asked me to come up with writing goals. When I said I planned to write a few short stories, she asked if I could write a novel. I promptly informed her she was crazy, but I couldn’t get her suggestion out of my mind. Being a driven, type-A personality, I immediately started writing what would become Bedside Manners. I joined a writing workshop class which definitely helped me see the novel to completion.
I also have to give credit to my husband, Ben. With his characteristic humor, he suggested “colostomy” as the first word of my novel. That silly suggestion got me going and a colostomy bag still makes an appearance in the first chapter!
Did you have a formal writing process or some kind of schedule you followed to get it done?
I wrote whenever I had time—sometimes after work or on weekend mornings, but most of my writing happened on Wednesdays, my day off. I didn’t typically set a word count or particular goal. I just wrote the part of the story that flowed at the moment. I tried to end my writing sessions with a small part of the next chapter done to make it easier to pick up the next time. Sharing four pages with my writing workshop every week also kept me on task.
How do you balance your day job with writing time?
It’s not easy. I work full time as a radiologist and spend a large portion of my day in a dark room staring at mammograms, x-rays and CT scans. When I’m not at work, I try to write, edit, read, spend time with my family, take care of errands, and sleep. It’s a constant struggle and one or all of these things often goes by the wayside despite my best efforts.
What’s are you reading now, and what’s in your to-be-read pile?
In the past few years since I began my publication journey, I’ve been reading books by female authors almost exclusively. I am currently reading The Book of Essie by Meghan MacLean Weir, a fellow physician writer. The writing is wonderful and the story is completely unique and fascinating.
Because I also write book reviews for Books INK and for my blog, my TBR pile is always sky high. I am also a sucker for e-book deals and a dedicated library patron. Suffice it to say that I have more books than I could ever read. Up next, I would like to read Unbroken Threads by Jennifer Klepper, a novel about an attorney who represents a Syrian woman seeking asylum. The Cast by Amy Blumenfeld, and advanced copies of The Rain Watcher by Tatiana de Rosnay and Forget You Know Me by Jessica Strawser are also up soon. A hopeless book addict, I could go on forever about what I’ve read and want to read.
Where do you most like to write?
I created a beautiful writing and reading nook in my family room which I rarely use because it’s too quiet. A bit of activity and background noise actually helps me focus. I wrote most of Bedside Manners at the Barnes and Noble café in Westport, CT powered by a large iced coffee, my other addiction.
Do you have any advice for other writers who want to write a book?
Cast away the self-doubt and don’t fall prey to impostor syndrome. If you have an idea and the perseverance to sit down and put in the work, you can write a book. Expect it to be difficult and frustrating, but the work will ultimately pay off in so many ways. Becoming a writer has added amazing depth and richness to my life and I cherish the people I’ve met along the way.
To learn more about Heather Frimmer and Bedside Manners, visit her website. (And here’s a recent AP article about her journey, and a piece on her recent book launch at Barnes and Noble in Westport, CT.)
If you’re looking to have more fun in someone else’s bed (no cheating required), look no further than Mr. Nice Guy (St. Martin’s Press, 2018) by Jennifer Miller and Jason Feifer. At their recent New York City book launch*, the real-life couple and dynamic writing duo—Miller is a frequent contributor to The New York Times Styles section and Jason Feifer is editor-in-chief of Entrepeneur—told a packed house how, on a whim, they sent an early copy of Mr. Nice Guy to Kevin Kwan, author of Crazy Rich Asians. To their great surprise, he later blurbed the book: “I COULD NOT PUT THIS BOOK DOWN! It totally messed up my week, it messed up my deadlines, but I absolutely loved it.”
Kwan is not alone in his endorsement. Publisher’s Weekly calls Mr. Nice Guy a “witty romp through the allegedly glamorous world of magazines” that’s “sharp and satisfying” and “will have readers turning the pages quickly to get the latest dishy details.” And buckle up: Mr. Nice Guy may soon appear on the small screen!
Here’s a brief description of Mr. Nice Guy:
Lucas Callahan gave up his law degree, fiancée and small-town future for a shot at making it in the Big Apple. He snags an entry-level job at Empire magazine, believing it’s only a matter of time before he becomes a famous writer. And then late one night in a downtown bar he meets a gorgeous brunette who takes him home…
Carmen Kelly wanted to be a hard-hitting journalist, only to find herself cast in the role of Empire’s sex columnist thanks to the boys’ club mentality of Manhattan magazines. Her latest piece is about an unfortunate―and unsatisfying―encounter with an awkward and nerdy guy, who was nice enough to look at but horribly inexperienced in bed.
Lucas only discovers that he’s slept with the infamous Carmen Kelly―that is, his own magazine’s sex columnist!―when he reads her printed take-down. Humiliated and furious, he pens a rebuttal and signs it, “Nice Guy.” Empire publishes it, and the pair of columns go viral. Readers demand more. So the magazine makes an arrangement: Each week, Carmen and Lucas will sleep together… and write dueling accounts of their sexual exploits.
It’s the most provocative sexual relationship any couple has had, but the columnist-lovers are soon engaging in more than a war of words: They become seduced by the city’s rich and powerful, tempted by fame, and more attracted to each other than they’re willing to admit. In the end, they will have to choose between ambition, love, and the consequences of total honesty.
Miller and Feifer were kind enough to do a Q & A about their book and writing life. Here are some highlights:
What sparked the idea for this book, and was it always a given you’d work on it together?
Jason came up with the idea of having two people critique their sex lives like movie reviews years before we met. He’d been contacted by a younger writer who’d written the sex and relationships column for her college newspaper and wanted help breaking into professional journalism. During their (entirely vanilla) correspondence, Jason came up with the idea for Mr. Nice Guy. Over the years, he tried to start the book, but just didn’t feel comfortable writing fiction. What a boon that he married a novelist! He suggested that Jen take the idea if she liked it; she suggested they write the book together.
Was this the first project the two of you have worked on together? If yes, what was your process?
We frequently ask each other for professional advice and feedback. But Mr. Nice Guy was our first truly joint project. We developed the plot and characters together. Jen wrote the bulk of the narrative and Jason wrote all the columns. Then we edited each other’s work. We definitely weren’t typing over each other’s shoulders.
Did you have any hesitation sharing the intimacies of your relationship with readers and each other?
The book definitely forced us to open up about our dating and sex lives. It was actually a great way to discuss all that stuff—we had a reason to talk about it, which is a lot less awkward than simply saying over dinner, “so about last night’s sex…” Frankly, knowing that our parents would read this book was the most awkward aspect of the whole thing and is kind of horrifying.
What are the particular strengths each of you added to the novel?
Jen’s eye for detail and ear for satire captured the absurdity of NYC media culture and its brand of conspicuous consumption. Jason is great at turning conflict into comedy, which he did expertly in the columns written by our protagonists, Lucas and Carmen.
How excited are you to have sold the television rights to the novel? And who would you choose to star in the series?
OMG, so excited! It was amazing to have the producer of the movie Crash and the former head of NBC Universal on the phone outlining the first THREE seasons of our book-turned-TV show. Timothee Chalamet would make a great Lucas, our highly ambitious, sexually inexperienced male protagonist. Auli’i Cravalho would make a great Carmen.
Any more joint projects in the works?
We’ve plotted out a new novel about two political pundits on opposing sides who fall in love. Like last time, we plotted out the novel together. Jen is going to write the bulk of the narrative and Jason will write the couple’s contentious and absurd television appearances.
What will your 3-year-old son Fenn say about this book when he’s old enough to read it?
We hope that Fenn never reads this book!
*Hosted by Hendricks Gin, Meltshop, The Balvenie, The Little Beet, Smart Water, Monkey Shoulder, and Fields Good Chicken.
If you’re intrigued by the idea of soulmates and are fascinated by fate, Soulstruck (Sky Pony Press, June 12, 2018) may belong in your hands and on your bookshelf. Here’s a description of Natasha Sinel’s sophomore young adult novel:
She might be only a lightning bolt away from finding her soul mate.
Seventeen-year-old Rachel Ferguson is trying to get struck by lightning. Maybe it will lead to finding her soul mate, like it did for her mother. And then maybe her mom will be as devoted to her as she is to her lightning strike survivors group.
When Rachel discovers letters written by her mother’s soul mate—the man she thought was her father—she begins to question everything she’s always believed, including soul mates, fate, and even her mother. No longer sure of its power, she decides to quit chasing lightning.
Rachel feels abandoned and alone—her best friend has ditched her, her boyfriend has dumped her, and confronting her mom only made things worse. At least she still has her friend Jay—in fact, their growing attraction to each other seems to be the only good thing happening.
But when her relationship with Jay starts to unravel too, the impulse to get struck by lightning resurfaces.
And there’s a thunderstorm coming.
Set in a small Cape Cod beach town in the off-season, SOULSTRUCK is about the search for love, and the risk of losing it while waiting for destiny to happen.
I had the pleasure of doing an email Q & A with Sinel. Read below to learn more about her and her writing life.
EZ: Now that you’re a seasoned novelist with two titles, how would you compare the process of writing your first novel, The Fix, with that of Soulstruck?
NS: A seasoned novelist? Ha! That’s super nice of you to say. While I did feel more confident this time around, writing a new novel still feels like starting from scratch. I think it’s safe to say that writing Soulstruck was just as difficult as writing The Fix! My novels have always started out as one thing and inevitably evolved into something very different. So I end up rewriting a few times as I discover my characters’ emotional arcs and the themes. It’s a long process, but so far it’s worked for me. I’m always looking for new processes to help streamline drafting and revising, but I usually end up doing what has always worked for me—basically, there’s no way out but through!
EZ: What’s the best thing you learned as a first-time author (related to writing, book promotion, etc.) that has helped you moving forward?
NS: I learned what a lot of debut authors learn—self-promotion is uncomfortable and it kind of sucks. Also, I’ve gotten much better at letting things go—like the little jealousies that arise about other authors getting sent to conferences or festivals, etc. I’m learning that sometimes it happens, and sometimes it doesn’t. Even with Soulstruck coming out, I’ve been much more focused on revising my current work in progress than on the release. I’m getting much better at doing what everyone says to do—just keep writing. The only thing we really have control over as authors is the writing.
EZ: What was the spark that lead to the idea that became Soulstruck?
NS: Back in 1991 there was a lightning strike at a high school lacrosse game in Washington, DC (where I’m from)—more than ten people were struck, and one teenager was killed. A young EMT who happened to be there saved several people’s lives that day. I wasn’t there but I’d heard about it and the story always stuck with me. An idea started to form in my head and as I researched lightning and the lightning strike survivors, my characters came into focus and my story began.
EZ: What was the most challenging part of writing Soulstruck?
NS: Some of my ideas in the beginning forced me toward a more paranormal storyline and, as I’m much more comfortable with realistic writing, it felt uncomfortable. I moved forward with it, though, because I remembered a former writing instructor saying it’s better to go big to start out and then you can always scale back. So that’s what I did. Though it was strange letting go of so much of the original idea I’d written, in the end, it was what was best for the story.
EZ: What was the best/most exciting or fulfilling part about writing Soulstruck?
NS: I always love those a-ha moments that come when you least expect it—as you’re falling asleep, taking a walk, in the shower. It makes me realize how hard my subconscious is working on my stories all of the time. One of my favorite moments was after I’d gotten some amazing editorial notes from my agent Linda Epstein, and I was in despair because the notes were BIG—like, really big. I let it all swirl around for a few days and then I got to work. I took out about 15k words. And added about 15k words. After I was finished, it was so much better, and when we sent it off to my editor, she loved it.
EZ: How did you get the idea for “Moving the Body,” your short story that appears in the recent adoption-themed anthology, Welcome Home? Was it something you had worked on before, or did you write it specifically for the anthology? And how excited were you to be asked (such an honor that must have been)!
NS: It was such an honor to be a part of Welcome Home. Eric Smith is amazing, and it was so wonderful to work with him. The anthology as a whole is really very special. And yes, I wrote Moving the Body specifically for the anthology! A few things came together to inspire the idea—one: I wanted to show that the bond between an adopted child and his mom can be as close as the bond between a biological child and his mom, two: I’d read a horrifying article about a teen in the UK who became involved with someone through an online game and the results were devastating, and three: right around the same time, there was an incident in my town—kids had spray-painted a swastika on a neighbor’s garage, and later it came out that a few of the kids were Jewish. Those three things did a little dance in my head, and out came my story.
EZ: Would you say you’re a one-book-at-a-time kind of author or can you work on multiple projects at once?
NS: So far, I work on one book at a time, though recently, when I was having difficulty with my work-in-progress, I wrote a few scenes for a new idea rather than skip a day of working. That was fun, and I could see myself doing that more.
EZ: Any advice for writers struggling to get their butts in the chair to just write?
NS: Ugh. It’s just so hard. There’s no way around it. Some things that help me are: 1. getting my butt in the chair right after putting my kids on the bus, so I don’t keep putting it off all day, 2. talking things out with my critique partner or setting up check-in times with her, 3. setting a timer for 25 minutes and committing to writing for just that amount of time—often, I’ll get on a roll and keep going, 4. writing a kissing scene or something I love even if it’s not the next scene I need to write. But some days, it just won’t happen. I try not to let it bring me down so I can start fresh the next day.
EZ: Anything exciting on the writing horizon for you?
NS: I’m finishing up a manuscript and getting ready to send it to my agent. I really have my fingers crossed for this one. And once I send it to her, I’ll get started on my next idea, which will require some research that I’m really excited about.
EZ: What’s currently on your book shelf?
NS: Lots of contemporary YAs: Monday’s Not Coming by Tifany D. Jackson, Foolish Hearts by Emma Mills, Sarah Dessen (I’m catching up on all of her books, way behind!), The Secret History of Us by Jessi Kirby, The Nowhere Girls by Amy Reed, and I can’t wait to read my agent-sister Miriam McNamara’s debut The Unbinding of Mary Read. I could go on…
EZ: Any favorite TV shows you’re currently enjoying?
NS: I read a lot more than I watch TV, but currently I’m watching The Handmaid’s Tale, Younger, and The Bold Type.
To learn more about Natasha Sinel and her work, visit her website here.
Full disclosure: Sinel’s publisher sent me an ARC of her book. I did, however, buy my own copy and cannot wait to get it signed!
This weekend, I geeked out at the Society for Children’s Book Writers and Illustrators Summer Conference in Los Angeles, California. With homework and deadlines approaching, I was nervous about attending, wondering whether I could really afford to lose valuable study time. And of course I felt some Jewish mom guilt to leave my family less than a week after my 16-year-old returned from a summer program. Fortunately, I got a lot of reading and writing done on my 6-hour flight (with an additional hour on the runway). And while three full days of panels, workshops and keynotes with an amazing faculty of authors, agents and editors kept us busy, it was unbelievably inspiring and well worth every minute.
Besides making new friends, I spent quality time with a wonderful group of supportive and loving writer friends (several pictured below). I was also excited to see recent VCFA graduates and fellow students I had gotten to know—at least a little bit—during my recent grad school residency. Two even won awards—an Emerging Voices award for my fellow firstie at VCFA, Lakita Wilson, and a graduate award for recent VCFA grad Jessica Lee!) So, in many ways, coming to LA for this incredible conference felt like coming home.
As always, I took full advantage of the conference, attending all but one keynote. The speakers were wonderful, especially Andrea Davis Pinkney and Brian Pinkney who put on a spirited and enjoyable show (such talent they both have), Libba Bray (a real writer’s writer), Lynda Mullaly Hunt and Bruce Coville (way to make me cry while touching and inspiring me), and Lois Lowry, the 81-years-young author of The Giver (pictured below while signing my book). I can’t wait to read her book about human connection set to launch in 2020.
There were so many highlights of the conference—too many to name. But I thought I’d share my top 10 takeaways list (in no particular order). I’m already thinking of when and how to incorporate many of these ideas into my writing/life, and invite my writer friends to do so as well.
10. Daniel Jose Older, author of Shadowshaper: The sound and rhythm of words matter. Read work aloud so you can hear it.
9. Elana K. Arnold, author of What Girls Are Made Of:
- Tension is the spinal cord of books. Increase tension by asking What if questions, play with time, add a ticking clock, and/or write your character into a corner that you don’t know how to get her out of.
- Think of ten scenes that are integral to your novel and write them. Write one sentence at a time.
8. Lynda Mullaly Hunt, author of Fish in a Tree:
- You pass by ideas every single day. When you feel emotion, jot it down (or talk into your phone about it).
- Write what you’re ashamed of…what you don’t want anyone to know, what you haven’t yet figured out.
7. Andrea Davis Pinkney, author of The Red Pencil: Meet hate with love. Every morning, spend some time thinking of things that make you happy. Then write.
6. Amanda Maciel, author of Tease: Who does your protagonist think she is, and what do other people think she is? What are the expectations placed on her? And who is she beyond those expectations? What’s important to her? Assess everything from her eyes.
5. Libba Bray, author of The Diviners: What is the purpose of your story, the spark that lights the fuse? What answer do you seek? The question is about growth…bringing us somewhere. Push aside vanity and the desire to be liked and write from a deep, vulnerable place. Do not think about how the story will be received.
4. Erin Entrada Kelly, author of Hello, Universe:
- We were never kids’ age in the age of technology. Don’t think about kids through the lens of your teen years. Use the emotions you felt in your childhood years, but learn and understand what their world looks like today.
- When revising, ask, “Why is this here? What is this scene/chapter/sentence doing here?
3. Eliza Wheeler, author/illustrator of Miss Maple’s Seeds:
- We confuse our identities with our work. The work is not us.
- The real goal in creating art is to love the process so much that you want to show up to do the work.
2. Bruce Coville, author of My Teacher is An Alien:
- Why do you want to write? Keep asking the whys. Then you’ll understand and it’ll inform your work.
- Small actions ripple the world and small gestures can be a turning point.
- Do not start writing books with a message. Start with your own good heart.
1. Here are just a few of the books I’m adding to my TBR list as a result of attending this conference:
- My Teacher is an Alien by Bruce Coville
- The Earth, My Butt, and Other Big Round Things by Carolyn Mackler
- Little and Lion by Brandy Colbert
- Vincent and Theo: The Van Gogh Brothers by Deborah Heiligman
- Out of Wonder: Poems Celebrating Poets by Kwame Alexander with Chris Colderley and Marjory Wentworth, illustrated by Ekua Holmes
If you attended the SCBWI Summer Conference, what were your takeaways?
To learn more about the conference—and about SCBWI, an organization I’m SO proud to be part of—visit the website here.