The Art of Breaking Things: Q & A with Laura Sibson

The Art of Breaking Things (Viking Books for Young Readers, June 2019) by debut author Laura Sibson tells the story of 17-year-old Skye, an artist set to leave her small town and attend art school once she figures out how to survive senior year and confront the trauma she experienced several years earlier. Here’s a brief description of the novel from Sibson’s website:

Weekends are for partying with friends while trying to survive the mindnumbingness that is high school. The countdown to graduation is on, and Skye has her sights set on escaping to art school and not looking back. 

But her party-first-ask-questions-later lifestyle starts to crumble when her mom rekindles her romance with the man who betrayed Skye’s trust and boundaries when he was supposed to be protecting her. She was too young to understand what was happening at the time, but now she doesn’t know whether to run as far away from him as possible or give up her dreams to save her little sister. The only problem is that no one knows what he did to her. How can she reveal the secret she’s guarded for so long?

With the help of her best friend and the only boy she’s ever trusted, Skye might just find the courage she needs to let her art speak for her when she’s out of words. After years of hiding her past, she must become her own best ally.

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When I Was Summer: Q & A with J.B. Howard

When I heard about J.B. Howard’s debut novel, When I Was Summer (Viking Books for Young Readers, April 30, 2019) and saw the absolutely gorgeous book cover, I began counting the days until it would be in my hands. Intrigued by the promise of music and mystery (maybe some mating too?!), I pre-ordered the novel and anxiously await its arrival. If it turns out to be anything at all like its author–because what work of fiction doesn’t include at least part of the soul from which it comes–I can’t imagine it’ll be anything less than awesome.

Here’s a description of When I Was Summer from the publisher:

A relatable novel about unrequited love, rock ‘n’ roll, and what you find when you go searching for yourself.

Sixteen-year-old Nora Wakelin has always felt like an outsider in her own family. Her parents and older sister love her, but they don’t understand anything about her: not her passion for music, not her all-encompassing crush on her bandmate Daniel (who is very much unavailable), not her recklessness and impulsiveness. Nora has always imagined that her biological mother might somehow provide the answer as to why she feels like such an outsider.

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Our Year of Maybe: Q & A with Rachel Lynn Solomon

If you’re looking for a new young adult book title to add to your TBR list, Our Year of Maybe (Simon Pulse, January 15, 2019) by Rachel Lynn Solomon may be a great addition. Already earning a starred review from School Library Journal, Our Year of Maybe examines the complicated aftermath of a kidney transplant between best friends.

Here’s a description of the book from Solomon’s website:

Aspiring choreographer Sophie Orenstein would do anything for Peter Rosenthal-Porter, who’s been on the kidney transplant list as long as she’s known him. Peter, a gifted pianist, is everything to Sophie: best friend, musical collaborator, secret crush. When she learns she’s a match, donating a kidney is an easy, obvious choice. She can’t help wondering if after the transplant, he’ll love her back the way she’s always wanted. (more…)

Dear Evan Hansen: The Novel-Q & A with Val Emmich

Dear Evan Hansen: The Novel-Q & A with Val Emmich

When I heard that my all-time favorite Broadway musical*, Dear Evan Hansen, was going to be made into a young adult novel, my heart swelled. Not only do I love reading YA books, but I’m working on two of my own as I pursue an MFA in Writing for Children and Young Adults at Vermont College of Fine Arts. I was excited for us DEH fans to have a different way to enjoy the overwhelming and satisfying experience that is Dear Evan Hansen. But mostly, I was excited for this novel way (see what I did?!) to share the story with teens and adults who may not get to see the show in person. The book (along with the soundtrack) are truly excellent surrogates that can be enjoyed again and again.

Despite the daunting task of turning a brilliant Tony- and Grammy award-winning musical into a YA book, Val Emmich—with book writer extraordinaire, Steven Levenson, and the dynamic, Oscar-winning duo, Benj Pasek and Justin Paul—did it. The book is wonderful. It’s moving. It touches your heart. I was admittedly very nervous to read it, because how could it measure up to the Broadway musical? But any fears I had about the novel not being able to capture the magic of the stage production disappeared in an instant. Like the show, the novel made me laugh and cry. And, like the show, it’s one I will be sure to visit again.

After fan-girling over Emmich, Levinson, Pasek and Paul at both BookCon last spring and at the Dear Evan Hansen: the Novel book launch this month (see photos below), I had the pleasure of doing an email Q & A with the multi-talented Emmich.

At BookCon 2018. From left to right: Justin Paul, Benj Pasek, Steven Levenson & Val Emmich.

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Bedside Manners: Q & A with Heather Frimmer, M.D.

At the most recent BookCon in New York City, I had the pleasure of sitting next to Heather Frimmer (and her adorable, precocious son, Jonah) at the Dear Evan Hansen The Novel book panel.

Any fans of Dear Evan Hansen–the musical OR novel–are friends of mine!

Besides fanning over Pasek & Paul, Steven Levenson and Val Emmich, we spoke about respective writing journeys. A radiologist by day, and writer whenever she can fit it into her busy family life, Frimmer could not be more excited for the birth of her debut novel, Bedside Manners (SparkPress, October 2018). Here’s a description:

As Joyce Novak’s daughter, Marnie, completes medical school and looks ahead to a surgical internship, her wedding, and a future filled with promise, a breast cancer diagnosis throws Joyce’s own future into doubt. Always the caregiver, Joyce feels uncomfortable in the patient role, especially with her husband and daughter. As she progresses through a daunting treatment regimen including a biopsy, lumpectomy, and radiation, she distracts herself by planning Marnie’s wedding.

When the sudden death of a young heroin addict in Marnie’s care forces Marnie to come face-to-face with mortality and her professional inadequacies, she also realizes she must strike a new balance between her identity as a doctor and her role as a supportive daughter. At the same time, she struggles with the stark differences between her fiancé’s family background and her own and comes to understand the importance of being with someone who shares her values and experiences.

Amid this profound soul-searching, both Joyce and Marnie’s futures change in ways they never would have expected.

Here’s a Q & A with Frimmer about her book and writing life:

How does it feel to be a debut novelist and published author?

It’s exhilarating and exciting, but at the same time I still can’t believe it’s happening. The fact that people I don’t know are holding my book in their hands and reading my words is hard to believe and a bit scary. I am proud of my accomplishment and completely hooked on writing fiction. Also, the community of women’s fiction authors and book bloggers has been so welcoming and supportive. With social media, I feel the love for my book even while sitting at home at my writing desk.

When did you first have an inkling to write a book? And was this book the result of that first spark/idea?

To exercise the right side of my brain, I signed up for an introductory writing class at Westport Writers’ Workshop. On the last day of class, my instructor asked me to come up with writing goals. When I said I planned to write a few short stories, she asked if I could write a novel. I promptly informed her she was crazy, but I couldn’t get her suggestion out of my mind. Being a driven, type-A personality, I immediately started writing what would become Bedside Manners. I joined a writing workshop class which definitely helped me see the novel to completion.

I also have to give credit to my husband, Ben. With his characteristic humor, he suggested “colostomy” as the first word of my novel. That silly suggestion got me going and a colostomy bag still makes an appearance in the first chapter!

Did you have a formal writing process or some kind of schedule you followed to get it done? 

I wrote whenever I had time—sometimes after work or on weekend mornings, but most of my writing happened on Wednesdays, my day off. I didn’t typically set a word count or particular goal. I just wrote the part of the story that flowed at the moment. I tried to end my writing sessions with a small part of the next chapter done to make it easier to pick up the next time. Sharing four pages with my writing workshop every week also kept me on task.

How do you balance your day job with writing time? 

It’s not easy. I work full time as a radiologist and spend a large portion of my day in a dark room staring at mammograms, x-rays and CT scans. When I’m not at work, I try to write, edit, read, spend time with my family, take care of errands, and sleep. It’s a constant struggle and one or all of these things often goes by the wayside despite my best efforts.

What’s are you reading now, and what’s in your to-be-read pile?

In the past few years since I began my publication journey, I’ve been reading books by female authors almost exclusively. I am currently reading The Book of Essie by Meghan MacLean Weir, a fellow physician writer. The writing is wonderful and the story is completely unique and fascinating.

Because I also write book reviews for Books INK and for my blog, my TBR pile is always sky high. I am also a sucker for e-book deals and a dedicated library patron. Suffice it to say that I have more books than I could ever read. Up next, I would like to read Unbroken Threads by Jennifer Klepper, a novel about an attorney who represents a Syrian woman seeking asylum. The Cast by Amy Blumenfeld, and advanced copies of The Rain Watcher by Tatiana de Rosnay and Forget You Know Me by Jessica Strawser are also up soon. A hopeless book addict, I could go on forever about what I’ve read and want to read.

Where do you most like to write?

I created a beautiful writing and reading nook in my family room which I rarely use because it’s too quiet. A bit of activity and background noise actually helps me focus. I wrote most of Bedside Manners at the Barnes and Noble café in Westport, CT powered by a large iced coffee, my other addiction.

Do you have any advice for other writers who want to write a book?

Cast away the self-doubt and don’t fall prey to impostor syndrome. If you have an idea and the perseverance to sit down and put in the work, you can write a book. Expect it to be difficult and frustrating, but the work will ultimately pay off in so many ways. Becoming a writer has added amazing depth and richness to my life and I cherish the people I’ve met along the way.

To learn more about Heather Frimmer and Bedside Manners, visit her website. (And here’s a recent AP article about her journey, and a piece on her recent book launch at Barnes and Noble in Westport, CT.)  

 

 

Soulstruck: Interview with YA Author Natasha Sinel

If you’re intrigued by the idea of soulmates and are fascinated by fate, Soulstruck (Sky Pony Press, June 12, 2018) may belong in your hands and on your bookshelf. Here’s a description of Natasha Sinel’s sophomore young adult novel:

She might be only a lightning bolt away from finding her soul mate.

Seventeen-year-old Rachel Ferguson is trying to get struck by lightning. Maybe it will lead to finding her soul mate, like it did for her mother. And then maybe her mom will be as devoted to her as she is to her lightning strike survivors group.

When Rachel discovers letters written by her mother’s soul mate—the man she thought was her father—she begins to question everything she’s always believed, including soul mates, fate, and even her mother. No longer sure of its power, she decides to quit chasing lightning.

Rachel feels abandoned and alone—her best friend has ditched her, her boyfriend has dumped her, and confronting her mom only made things worse. At least she still has her friend Jay—in fact, their growing attraction to each other seems to be the only good thing happening.

But when her relationship with Jay starts to unravel too, the impulse to get struck by lightning resurfaces.

And there’s a thunderstorm coming.

Set in a small Cape Cod beach town in the off-season, SOULSTRUCK is about the search for love, and the risk of losing it while waiting for destiny to happen.

I had the pleasure of doing an email Q & A with Sinel. Read below to learn more about her and her writing life.

EZ: Now that you’re a seasoned novelist with two titles, how would you compare the process of writing your first novel, The Fix, with that of Soulstruck?

NS: A seasoned novelist? Ha! That’s super nice of you to say. While I did feel more confident this time around, writing a new novel still feels like starting from scratch. I think it’s safe to say that writing Soulstruck was just as difficult as writing The Fix! My novels have always started out as one thing and inevitably evolved into something very different. So I end up rewriting a few times as I discover my characters’ emotional arcs and the themes. It’s a long process, but so far it’s worked for me. I’m always looking for new processes to help streamline drafting and revising, but I usually end up doing what has always worked for me—basically, there’s no way out but through!

EZ: What’s the best thing you learned as a first-time author (related to writing, book promotion, etc.) that has helped you moving forward?

NS: I learned what a lot of debut authors learn—self-promotion is uncomfortable and it kind of sucks. Also, I’ve gotten much better at letting things go—like the little jealousies that arise about other authors getting sent to conferences or festivals, etc. I’m learning that sometimes it happens, and sometimes it doesn’t. Even with Soulstruck coming out, I’ve been much more focused on revising my current work in progress than on the release. I’m getting much better at doing what everyone says to do—just keep writing. The only thing we really have control over as authors is the writing.

EZ: What was the spark that lead to the idea that became Soulstruck?

NS: Back in 1991 there was a lightning strike at a high school lacrosse game in Washington, DC (where I’m from)—more than ten people were struck, and one teenager was killed. A young EMT who happened to be there saved several people’s lives that day. I wasn’t there but I’d heard about it and the story always stuck with me. An idea started to form in my head and as I researched lightning and the lightning strike survivors, my characters came into focus and my story began.

EZ: What was the most challenging part of writing Soulstruck?

NS: Some of my ideas in the beginning forced me toward a more paranormal storyline and, as I’m much more comfortable with realistic writing, it felt uncomfortable. I moved forward with it, though, because I remembered a former writing instructor saying it’s better to go big to start out and then you can always scale back. So that’s what I did. Though it was strange letting go of so much of the original idea I’d written, in the end, it was what was best for the story.

EZ: What was the best/most exciting or fulfilling part about writing Soulstruck?

NS: I always love those a-ha moments that come when you least expect it—as you’re falling asleep, taking a walk, in the shower. It makes me realize how hard my subconscious is working on my stories all of the time. One of my favorite moments was after I’d gotten some amazing editorial notes from my agent Linda Epstein, and I was in despair because the notes were BIG—like, really big. I let it all swirl around for a few days and then I got to work. I took out about 15k words. And added about 15k words. After I was finished, it was so much better, and when we sent it off to my editor, she loved it.

EZ: How did you get the idea for “Moving the Body,” your short story that appears in the recent adoption-themed anthology, Welcome Home? Was it something you had worked on before, or did you write it specifically for the anthology? And how excited were you to be asked (such an honor that must have been)!

NS: It was such an honor to be a part of Welcome Home. Eric Smith is amazing, and it was so wonderful to work with him. The anthology as a whole is really very special. And yes, I wrote Moving the Body specifically for the anthology! A few things came together to inspire the idea—one: I wanted to show that the bond between an adopted child and his mom can be as close as the bond between a biological child and his mom, two: I’d read a horrifying article about a teen in the UK who became involved with someone through an online game and the results were devastating, and three: right around the same time, there was an incident in my town—kids had spray-painted a swastika on a neighbor’s garage, and later it came out that a few of the kids were Jewish. Those three things did a little dance in my head, and out came my story.

EZ: Would you say you’re a one-book-at-a-time kind of author or can you work on multiple projects at once?

NS: So far, I work on one book at a time, though recently, when I was having difficulty with my work-in-progress, I wrote a few scenes for a new idea rather than skip a day of working. That was fun, and I could see myself doing that more. 

EZ: Any advice for writers struggling to get their butts in the chair to just write?

NS: Ugh. It’s just so hard. There’s no way around it. Some things that help me are: 1. getting my butt in the chair right after putting my kids on the bus, so I don’t keep putting it off all day, 2. talking things out with my critique partner or setting up check-in times with her, 3. setting a timer for 25 minutes and committing to writing for just that amount of time—often, I’ll get on a roll and keep going, 4. writing a kissing scene or something I love even if it’s not the next scene I need to write. But some days, it just won’t happen. I try not to let it bring me down so I can start fresh the next day.

EZ: Anything exciting on the writing horizon for you?

NS: I’m finishing up a manuscript and getting ready to send it to my agent. I really have my fingers crossed for this one. And once I send it to her, I’ll get started on my next idea, which will require some research that I’m really excited about.

EZ: What’s currently on your book shelf?

NS: Lots of contemporary YAs: Monday’s Not Coming by Tifany D. Jackson, Foolish Hearts by Emma Mills, Sarah Dessen (I’m catching up on all of her books, way behind!), The Secret History of Us by Jessi Kirby, The Nowhere Girls by Amy Reed, and I can’t wait to read my agent-sister Miriam McNamara’s debut The Unbinding of Mary Read. I could go on…

EZ: Any favorite TV shows you’re currently enjoying?

NS: I read a lot more than I watch TV, but currently I’m watching The Handmaid’s Tale, Younger, and The Bold Type.

To learn more about Natasha Sinel and her work, visit her website here.

Full disclosure: Sinel’s publisher sent me an ARC of her book. I did, however, buy my own copy and cannot wait to get it signed!