If you’re looking for a middle grade novel that seamlessly weaves the struggles of forging and maintaining friendships with fashion and fun, and makes readers laugh while also touching their hearts, Lakita Wilson’s debut middle grade novel, Be Real, Macy Weaver (Viking Books for Young Readers, July 12, 2022) is a pure delight. While it’s true that the author is my friend, a fellow Revisionary with whom I graduated from Vermont College of Fine Arts with an MFA in Writing for Children and Young Adults, hearing her work read aloud and interviewing her during our graduate residency told me she was one to watch. Her debut has met all my expectations. It is as beautiful on the inside as it is on the outside, and I have no doubt it’ll resonate with readers, young and old, as well as seasoned and aspiring writers studying their craft.
Here’s a brief description and synopsis of Be Real, Macy Weaver from Wilson’s website:
A humorous, heartfelt, and fashion-filled middle grade contemporary novel about Macy Weaver, a young girl struggling with how to be her true self and make a best friend—during a tumultuous year when her mom goes back to college. Perfect for fans of From the Desk of Zoe Washington and Stand Up, Yumi Chung.
Eleven-year-old Macy Weaver knows relationships are complicated. Fresh off her latest friendship breakup, she’s spent most of her summer break on her own. So, when Macy’s mother decides to go back to college three states away, Macy jumps on the chance to move—anything for a fresh start.
But Macy’s new home isn’t exactly what she expected. Her mother’s never around and her dad’s always working. Lonelier than ever, Macy sets her sights on finding a new best friend. When she meets Brynn, who’s smart and kind and already seems to have her whole life figured out—down to her future as a high fashion model—Macy knows she’s it. The only problem is that Brynn already has a BFF and, as everyone knows, you can only have one.
Resorting to old habits, Macy turns one small lie into a whole new life—full of fantastic fashion and haute couture—but it isn’t long before everything really falls apart. Ultimately, Macy must determine how to make things right and be true to herself—rather than chasing after the person she thinks she’s supposed to be.
I had the pleasure of doing a Q & A with Wilson as below.
Which came first — Macy Weaver, the character, or her story? And what compelled you to write the story for middle grade readers in particular?
Let’s see…I remember brainstorming ideas for my next novel, and the theme of wanting best friendship kept popping into my mind. I wanted to write about a girl who wanted to be best friends with someone, and couldn’t. I remember giving Macy (my main character) a non-human friend first—Charlotte, the spider. Then, I set most of Macy’s story in a thrift shop, where she liked to hang out. In the final version of BE REAL, MACY WEAVER, the spider’s role has been reduced and the thrift shop scenes are gone. So, I guess you could say the character came first, because most of the story elements from the first draft are no longer there. Haha!
I’ve wanted to write middle grade most of all, because my memories from my own middle grade years are the strongest. The growing pains were so real at that age, that I naturally connect and empathize with children still going through it.
Friendships can be fabulous, but they can also be fraught—and fleeting. Is there anything you learned about yourself and your own friendships/the role of such relationships in your life (past and/or present), when you were on Macy’s journey?
Writing Macy’s friendship story forced me to look back at my own friendship journey, and how difficult it was to find my own community. Much like Macy, I think when I started to appreciate my authentic self more, the right friends naturally found their way to me—instead of me having to seek them out.
You write everything under the sun—nonfiction chapter books, middle grade and young adult novels. You’re also one of the most productive people I know (one who has often written at 5 a.m.—God bless you). Give us a glimpse of your typical writing life when you’re drafting and revising and how you fit it into your life/prioritize it in the context of being a professor and having family and other responsibilities.
Writing at 5am becomes less and less true every day, lol! I really wish I could go back to my 5am Writing Club schedule, but the pandemic has thrown my sleep schedule completely off. These days, I actually get the most writing done when I plan for an overnight writing sprint.
Typically, I write during the day, unless I’m teaching at the college, which is a few days a week, during fall and spring semesters. I try to stick to a solely teaching day/solely writing day schedule so that each has my full attention. I love teaching and I love writing, and I would like to continue the two, forever. But, I definitely have to give each their own time.
As far as the writing process, I can revise anywhere—especially on my couch, after a midday snack. I love revisions. But drafting is harder. Sometimes, I go away to draft, or I choose to draft strictly overnight—while the world sleeps—so I can really get in the zone and live the story right along with my characters. It’s a little spooky actually, because sometimes I can put myself so far into that head space, that I’ll look off to my right, expecting to see Pax or Grace walk by. Don’t believe me? Try writing at 3am. The silence will mess with you!
What’s the best writing advice you’ve ever received or that you can offer to new and seasoned writers from both a craft and business perspective?
Most recently, I’ve found that launching a novel can be a bit of a distraction. Before the books actually publish, it’s just you and your manuscript—no outside feedback except what happens between you and your editor—which still feels very much like a safe space. But, once people know a book is coming out, and they see the cover, and reviews start coming in, it’s very easy to refocus on that part, and suddenly—at least for me—you find yourself googling reviews instead of writing the next novel. It’s a very slippery slope!
Every writer I’ve talked to who has published books warned me of this pitfall—of becoming too consumed with every morsel of feedback—because good or bad, it will mess with you, and eventually take away from your writing time. And to make it long term in publishing, you have to continue writing, and focus most of your energy on that next project. It’s probably one of the few areas where writers have a bit of control.
What’s next for you in the kidlit space?
I’m currently working on my debut young adult novel, Last Chance Dance, which will hit shelves on February 21, 2023 as well as my second middle grade novel, which will also be published in 2023.
To learn more about Lakita Wilson and her wonderful work, visit her website.
Lakita Wilson is the author of several novels and nonfiction projects for children and young adults, including What Is Black Lives Matter? a part of the New York Times bestselling Who HQ Now series, and Be Real, Macy Weaver.
Lakita was born in Washington, DC, and grew up in Prince George’s County, Maryland. A 2017 recipient of SCBWI’s Emerging Voices Award, Lakita received her MFA in writing for children and young adults from Vermont College of Fine Arts. She is currently on faculty at Prince George’s Community College in the education department. Lakita lives in Prince George’s County, Maryland, with her two children and shih-tzu. She can be found on twitter at @LakitaWrites.
Elisa Zied a writer for young people. She holds an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts and an Advanced Graduate Certificate in Children’s Literature from Stony Brook Southampton. She also earned a BA in psychology from University of Pennsylvania and an MS in clinical nutrition from New York University. Before embarking on a fiction writing career, she garnered millions of media impressions as a nutrition expert, spokesperson, and freelance health and nutrition writer. She also authored four award-winning nutrition titles including Younger Next Week (Harlequin Nonfiction, 2014) and Nutrition At Your Fingertips (Alpha Books/Penguin, 2009). She lives in New York City with her husband and two sons and is an avid walker, music lover, and extremely amateur photographer.
The moment I read about Coming of Age: 13 B’Nai Mitzvah Stories (Albert Whitman & Co., April 19, 2022), an anthology edited by Jonathan Rosen and Henry Herz, I knew it would be a must-read—and not just for its intended audience of 8 to 12-year-olds. Maybe the idea of the book made me nostalgic for my own bat mitzvah celebration that featured sparkly rainbow/unicorn centerpieces. Maybe it reminded me of the feeling of accomplishment after performing on the bimah after several months of practice alongside my friend Melissa. Maybe it was about remembering the party following my service, especially the rush of a slow dance with a cute boy to some early 80s ballad, or the fun of playing games like Coke and Pepsi and musical chairs with my school, camp, and family friends.
As I think about the trajectory of my own Judaism, I realize that all the rituals and practices from my childhood I had probably taken for granted took on so much more meaning as an adult as my husband and I tried to pass those on to our sons. And as we watched our boys read from the Torah and recite their d’var Torahs on the bimah in front of all four of their grandparents, and our family and friends, we could not be more proud.
Jewish or not, I hope you’ll check out this anthology, a great window into this rite of passage, and share it with your middle grade children and students.
I asked contributors of the anthology why they wanted to share their story, and what their bar or bat mitzvah taught them about Judaism or humanity. Here are some of their responses:
Melissa Roske, author of Kat Greene Comes Clean (Charlesbridge, 2017):
I’ve always felt that Jewish kids would benefit from an anthology like this one, so when Jonathan asked me to contribute a story to COMING OF AGE it was a no-brainer for me to to say YES!
In terms of what my bat mitzvah taught me about Judaism, well… that’s more complicated. I was extremely shy as a child, and speaking in public terrified me. Because of this, I focused on the actual reading of the Torah—of getting the words right, of not embarrassing myself in front of the congregation, or disappointing my parents—rather than on what the text actually meant. In many ways, I took Judaism for granted. Only later, after I’d had a chance to reflect on the experience, did I realize it was a privilege for me to become a bat mitzvah. To come of age as a Jew. It’s a shame I didn’t realize it at the time.
Nancy Krulik, author of more than 200 books for children and young adults, including three New York times bestsellers:
I actually did not have a traditional bat mitzvah. My synagogue called it a “Bat Torah,” although we girls were not brought up to the bimah on Saturday to read from the actual Torah. Instead, we read a selection from the Book of Proverbs during the Friday night service. I was only the third girl in our congregation to have the ceremony. The “Bat Torah” was a compromise with our old-school rabbi, who did not feel women had any place on the bimah at all. It was a hard-fought battle, led by many girls in the Hebrew school, and our equally fierce parents. Today, young women in that same congregation have full-fledged b’not mitzvah, and the cantor is a woman. So, I guess what I learned is that change is hard, and it may take a lot of time, but it does come. Never give up fighting for equality in all aspects of life.
I am a strong believer in the importance of people seeing themselves represented in books. For Jewish kids, particularly those who don’t live in predominantly Jewish communities, reading the stories in this collection can help validate who they are, and show them that there are plenty of other soon-to-be 13-year-olds with the same questions and struggles. I wanted to be a part of a project that would provide Jewish kids with a mirror to look into with pride. But I also hope non-Jewish readers will pick up the collection and learn more about our faith. I truly believe the more we all learn about one another, the better the world will be.
Laura Shovan, award winning poet and author of several books for children including A Place at the Table (Clarion Books, 2020), co-written with Saadia Faruqui:
There was a lot of family drama around my bat mitzvah. I wanted to write a story that captured that anxious feeling, but put a funny spin on it. To write “A Funny Thing Happened on the Way to the Bimah,” I studied farce, including the Stephen Sondheim musical, “A Funny Thing Happened on the Way to the Forum.”
My bat mitzvah was one of those times when I saw how important sharing the traditions of Judaism was to my family, especially my grandmother, Joy.
Barbara Bottner, author of over 40 books for children and young adults:
I’ve been wanting to do a Jewish-oriented story for a long time, so when I was invited to contribute to the anthology Coming of Age, it was an immediate yes. It was important for me to write something authentic, which is why I often write close to my own experiences. But my bat mitzvah was a by the book affair; there was nothing to draw on. So, I turned to history. I was fascinated to learn the first bat mitzvah in the country was in 1922 by Judith Kaplan, the daughter of a prominent New York City rabbi. That awakened my feminist leanings—why did it take so long, what kind of event was it? So, I investigated.
I learned that Kaplan’s bat mitzvah has already been covered. Bat mitzvahs took a while to take hold in the USA, so I wondered, what was the second such service like? Writing fiction, this was a delicious arena for a story. I set mine in the Lower East Side where I’d lived and also had acted in the Off-Broadway theater. I always felt kinship to the culture there, including the Jewish rialto, pulsing with the life of Yiddish humor, music and drama. I knew the blintzes from Ratner’s, and was familiar with the many family-owned businesses, and late-night spots. So, I invented almost thirteen-year-old Hannah, who’s the lone member of her outgoing, offbeat Yiddish theater family of actors. But Hannah is terrified to being onstage, due to extreme shyness. Not having been bathed in Sunday school, now she has questions about God’s treatment of females. She’s full of curiosity, loves her family, but has no rabbi to answer to; rabbi’s were busy with young men during this period. Luckily Hannah has her grandfather, a man of substance and a big heart, and he tutors her.
Wanting to deliver a relevant precedent for her Haftorah where females played an important part, I sleuthed through many to find one where two females, Jael and Deborah, act heroically to defeat Sisera and his armies. Then, I was ready to write. I tried to make it humorous. Jewish people are naturally good at humor and it connects to our resilience. Writing this was a great experience for me, so I hope it touches our readers.
Jonathan Rosen, co-editor of Coming of Age: 13 B’nai Mitzvah Stories and author of several middle grade books:
Well, since I helped put the anthology together, I figured contributing a short story was the right thing to do. But, seriously, I am very proud to be a part of Coming of Age. I thought it was important to have a place featuring Jewish stories, where Jewish kids could see themselves represented. I’m happy it’s out in the world.
I was fortunate enough to be living in Israel as a child, and had my bar mitzvah at the Western Wall. I remember even then of feeling the history and thinking about how many other Jewish kids had been at that spot for thousands of years. It just really resonated with me about the long line of history of the Jewish people, and the want to continue traditions and be a link in that chain.
Elisa Zied a writer for young people. She holds an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts and an advanced Graduate Certificate in Children’s Literature from Stony Brook Southampton. She also earned a BA in psychology from University of Pennsylvania and an MS in clinical nutrition from New York University. Before embarking on a fiction writing career, she garnered millions of media impressions as a nutrition expert, spokesperson, and freelance health and nutrition writer. She also authored four award-winning nutrition titles including YOUNGER NEXT WEEK (Harlequin Nonfiction, 2014). She lives in New York City with her husband and two sons and is an avid walker, music lover, and amateur photographer.
Corey Ann Haydu has had quite a career. Besides being an amazing advisor in VCFA’s Writing for Children and Young Adults MFA program (I had the pleasure of working with and learning from her prior to doing the program as well as in my fourth semester), the acclaimed author has tackled everything from young adult and middle grade novels to chapter books to great effect with a combination of incredible skill in craft and her big, big heart. Her latest YA title, Lawless Spaces—her first novel in verse—is no exception. Here’s a brief description of the work that’s earned stars from Kirkus Reviews and Publisher’s Weekly, and is a Junior Library Guild Selection:
Perfect for fans of Deb Caletti, this poignant coming-of-age novel in verse follows a teen girl who connects with the women of her maternal line through their journals and comes to better understand her fraught relationship with her mother.
Mimi’s relationship with her mother has always been difficult. But lately, her mother has been acting more withdrawn than usual, leaving Mimi to navigate the tricky world of turning sixteen alone. What she doesn’t expect is her mother’s advice to start journaling—just like all the woman in her family before her. It’s a tradition, she says. Expected.
But Mimi takes to poetry and with it, a way to write down the realities of growing into a woman, the pains of online bullying, and the new experiences of having a boyfriend. And all in the shadows of a sexual assault case that is everywhere on the news—a case that seems to specifically rattle her mother.
Trying to understand her place in the world, Mimi dives into the uncovered journals of her grandmother, great-grandmother, and beyond. She immerses herself in each of their lives, learns of their painful stories and their beautiful sprits. And as Mimi grows closer to each of these women, she starts to forge her own path. But it isn’t until her mother’s story comes to light that Mimi learns about the unyielding bonds of family and the relentless spirit of womanhood.
Poetry was a wonderful choice for Haydu’s poignant, heart-wrenching, and ultimately hopeful novel. It is raw, sometimes painful, and relatable to anyone who has ever felt trapped in their lives (such as during a pandemic), or trapped in/defined by their bodies, or powerless to speak out and make necessary change. Haydu explores mother/daughter relationships and all they entail (body image, power dynamics) across generations with courage and care, something that resonates with readers and reviewers alike.
Haydu’s love of craft, her insight, and the amazing questions about living and life that she explores through her work give readers and writers alike a lot to ponder. Read on for her thoughtful and inspiring answers to our recent email Q & A:
What made you make the foray to writing a verse novel, and how did you prepare for that?
I’ve honestly always wanted to write in verse! Back in college my dream was to be an actress who published poetry on the side, and though many things changed about that dream over the years, my connection to poetry and the way a poem can so succinctly capture a moment and a feeling and get to the heart of things has remained the same.
I’ve been reading novels in verse basically since I first started reading in YA, sort of keeping in my back pocket the idea of them, loving that they existed, wondering if maybe I would get to wander over and try them myself some day. So the preparation was mostly that– years of reading them, and being excited by them, and understanding what makes them work. When it was time to actually write one of my own, I took it very slowly, just letting myself play with the form, long hand, and without a concrete plan for many years. It really helped to let myself stay in that exploratory phase for a long time.
You now have various works published across so many genres (chapter books, middle grade and young adult novels (prose and verse). From creative and business standpoints, what have been the upsides of writing in so many different genres? Any challenges?
It’s hard to speak professionally, because I think that side of things is so unpredictable, and I tend to be a terrible judge of what will do well out in the world. But emotionally speaking, it has helped me a great deal to not have too much pressure on any one age category. My goal is always to get to focus on the writing– it’s the part of things I enjoy, and it’s the part I’m good at and suited for. And writing in multiple age categories lets me worry less about each individual book, once it’s out in the world. I worry about them a great deal when they’re in my hands, but once they come out, I’ve learned to let them go a bit, and focus on what’s next. There have been times my YA hasn’t been finding the readership I’d hoped for, and that’s why my middle grade started finding its space, and I’m so grateful I had that positive trajectory to focus on when certain books weren’t doing what I’d hoped.
Creatively, this is really just who I am. I like to try everything, writing-wise, I like to be challenged, and I’m inspired by every aspect of children’s publishing and storytelling generally. Feeling expansive and creative and out of my comfort zone really feeds me, and so far I have yet to get bored. I also have to say I’ve been incredibly lucky to have a supportive agent and supportive editors, who never told me I had to stay in one place. I’ve been encouraged to move around and explore other parts of my voice, and I don’t know why I’ve been given that chance, but i’m so glad I have, because it’s really how I work best.
How has the pandemic impacted your writing life in terms of finding time and being in the headspace to do your best work? You’re obviously prolific and productive despite it all, so what has been most helpful to you in terms of getting it done?
My number one current advice, especially for writers who also happen to be parents, but really for anyone who has a lot of demands on them in the home and is struggling to find their way creatively, is to get up early. I discovered 5am writing during the pandemic out of necessity– my toddler couldn’t handle me working while she was at home– and over the last two years every time I’m in a creative slump, I reintroduce that practice to myself. There’s something about writing before I have to be anyone else– a parent or a wife or a friend or a person in the world in any meaningful way– that really clarifies the work for me. I work faster, and better, and more enjoyably. I have found I need that, even though it can be tough. Once I’ve put on the parenting hat, it’s harder to transition into a creative space. So getting up very early is a gift I give myself as often as I can.
What was the spark for Lawless Spaces, and what do you hope readers glean from it?
I have long wanted to write a novel that follows mothers and daughters, that somehow tracks the things they are dealing with across generations. Maybe it all began with Gilmore Girls, and the incredible trifecta of Emilly, Lorelai, and Rory, and getting to see how baggage gets passed on and how it shifts and becomes something new. I have always wanted to understand that personally– and especially as I’ve become the mother of a daughter, those questions have gotten louder and more consuming for me. Once I started on that track, I realized it was time to write about a lot of things from my own life I hadn’t really addressed previously– specifically being a young girl in the entertainment industry, and living in a petite and curvy body, and how those things intersect with generational relationships and your own relationship with yourself. It was really an organic process, ultimately, where I found so much joy and healing.
As one of your former students who had the privilege to work with you, one of the things that most impresses me is your willingness to take risks in your writing, to wear your heart in so many of your gorgeous words, and your desire to keep pushing and keep learning. What books, films, music, craft resources etc. have influenced, helped, and inspired you most?
Honestly, poetry was a huge part of my teen years, when I was acting and writing, and also just struggling to put feelings into words and struggling to be understood. I was always deeply connected to the work of Sylvia Plath, as well as Pablo Neruda, Anne Sexton, and e.e. cummings. I loved their fearless and emotionally-forward approach to their work, and it not only resonated with me but helped me through really challenging times. Early on I was really blown away by Sandra Cisneros’ HOUSE ON MANGO STREET, which helped me understand the importance of small moments telling a bigger story. I’ve always been drawn to art that addresses difficult topics and challenging relationships. I was an actor, with a real affinity for the tragedy of THE GLASS MENAGERIE or the high-stakes ugliness of relationships in NO EXIT or the absurd takes on life of Christopher Durang’s work. I practically lived inside The Counting Crows’ first album, AUGUST AND EVERYTHING AFTER, which is a lyrically really heartbreaking and beautiful collection of songs– I loved how language and vulnerability combined to really make me feel understood in my pain.
I operate sort of heart-first, emotions-first with my work, and I certainly learned that from knowing what I connected with, and more than that probably what I needed. And that remains true– I like work that challenges me and stories that make me uncomfortable and language that makes me think about something anew. I’m also a collaborator, so I’ve been really influenced by the editors I’ve worked with, who have been really game to help me try new things and stretch into new spaces. I’ve found that caring more about learning than about being good at something is a real gift in a creative life. 🙂
Anything else you’d like to share?
Thanks so much for a such a smart, interesting collection of questions, and I hope the readers who are interested in the same things I’m interested in– bodies and mothers and daughters, and generational trauma, and how to push against the way the world sees you to be able to instead occupy the space that feels right for you– find LAWLESS SPACES. It was one of my favorite books to write, and I said so much I’ve been wanting to say, which always feels good.
To learn more about Corey Ann Haydu and her work, visit her website here. Lawless Spaces and her other books are available at Indiebound, Barnes & Noble, Amazon, or wherever books are sold.
Corey Ann Haydu is the author of many critically acclaimed middle grade and young adult novels, including EVENTOWN, RULES FOR STEALING STARS, EVER CURSED, and OCD LOVE STORY. She is also the author of the HAND-ME-DOWN MAGIC chapter book series. Corey is a graduate of NYU’s Tisch School of the Arts and The New School’s Writing for Children MFA program, and has been working in children’s publishing since 2009. In 2013, Corey was chosen as one of Publisher Weekly’s Flying Starts. Her books have been Amazon Book of the Month Selections, Junior Library Guild Selections, Indie Next Selections, and BCCB Blue Ribbon Selections. In 2020, she received an Edgar Award Nomination for her novel EVENTOWN. Corey is also a proud faculty member of the Vermont College of Fine Arts’ MFA in Writing for Children and Young Adults program. Corey lives in Brooklyn with her husband, her daughter, her dog, Oscar, and a wide variety of cheese.
Elisa Zied a writer for young people. She holds an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts and an advanced Graduate Certificate in Children’s Literature from Stony Brook Southampton. She also earned a BA in psychology from University of Pennsylvania and an MS in clinical nutrition from New York University. Before embarking on a fiction writing career, she garnered millions of media impressions as a nutrition expert, spokesperson, and freelance health and nutrition writer. She also authored four award-winning nutrition titles including YOUNGER NEXT WEEK (Harlequin Nonfiction, 2014) and NUTRITION AT YOUR FINGERTIPS (Alpha Books/Penguin, 2009). She lives in New York City with her husband and two sons and is an avid walker, music lover, and amateur photographer.